As part of an RND exercise, Goldy developed the idea of a “live action kaleidoscope” taking footage of moving object shot in isolation and duplicating and arranging them in post into unique and interesting patterns.

The results are truly mesmerising. When Architecture approached Goldy looking for unique visuals for their clip “I Might Survive”, he jumped at the opportunity and took this Kaleidoscopic idea and applied it to the human form, exploiting the movement/dancing of the band members to enrich each kaleidoscope.
In addition to these, an “infinite mirror” effect was developed to bring a similar layered aesthetic to the performance component of the clip.
These infinite mirror sequences were shot on a pre programmed motion-control rig, enabling Goldy to shoot the exact same shot over and over. He then place band members at different points in the studio and built a library of movement that would sync up perfectly in post.
The clip is built from over one hundred passes, with some sequences contain up to a dozen takes at once.